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Bartók forever
Johann Georg Albrechtsberger (1736-1809): Kurze Regeln des reinsten Satzes
Bartók forever
5:27 Est. Play
Time
159 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Sopran
(C-Schlüssel)		 15 0 5 5 97%
Tenor
(C-Schlüssel)		 17 0 5 5 97%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Sopran
(C-Schlüssel)		 15 0 5 5 97%
Tenor
(C-Schlüssel)		 17 0 5 5 97%
Alt
(C-Schlüssel)		 14 0 3 5 97%
Bass Bass 14 3 4 5 76%
Klavier Treble 10 8 3 1 5%
Bass 5 2 0 1 4%
 
Mariä Wiegenlied Op. 76 No. 52
Bartók forever
1:38 Est. Play
Time
43 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 47 11 6 100%
Bass 23 5 4 4 100%
Voice Treble 12 0 4 6 81%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 47 11 6 100%
Bass 23 5 4 4 100%
Voice Treble 12 0 4 6 81%
 
Once upon a time
Bartók forever
2:05 Est. Play
Time
56 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 14 1 3 4 54%
Tuba Bass 19 0 8 5 54%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 14 1 3 4 54%
Tuba Bass 19 0 8 5 54%
Flügelhorn Treble 14 0 2 4 48%
Treble 7 0 1 4 15%
Flöte Treble 18 0 7 4 44%
Horn
in
F		 Treble 19 0 7 5 41%
Klarinette
in
B		 Treble 10 0 4 5 28%
Pauke Bass 3 0 0 3 19%
 
What power art thou? (Purcell, King Arthur Act III aka "Cold Scene")
Bartók forever
2:32 Est. Play
Time
36 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 29 98 10 2 100%
Bass 15 0 5 2 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 29 98 10 2 100%
Bass 15 0 5 2 100%
Violine
I/II		 Treble 19 0 7 2 100%
Treble 18 0 6 2 100%
Basso
Continuo		 Bass 15 0 5 2 100%
Bratsche 19 0 6 2 100%
Bass Bass 16 0 6 4 69%
 
Cantio Belgica SSWV 108 (shortened)
Bartók forever
2:18 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 16 0 4 6 98%
Orgel Treble 18 0 5 7 97%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 16 0 4 6 98%
Orgel Treble 18 0 5 7 97%
Bass 14 0 1 7 93%
Fagott Bass 9 0 1 6 94%
Violoncello Bass 11 0 1 6 76%
Klarinette
in
B		 Treble 12 0 3 7 61%
 
ARIA: So oft ich meine Tobackspfeife BWV 515/515a
Bartók forever
1:53 Est. Play
Time
35 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 16 5 3 6 100%
Bass 22 0 7 4 100%
Oboe Treble 9 0 1 6 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 16 5 3 6 100%
Bass 22 0 7 4 100%
Oboe Treble 9 0 1 6 50%
 
FUGA SSWV 129
Bartók forever
10:47 Est. Play
Time
153 Measures
1,247Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 23 0 8 9 87%
Bass 23 0 5 9 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 23 0 8 9 87%
Bass 23 0 5 9 89%
 
D. Scarlatti - Sonatas C Major K. 356 and K. 357
Bartók forever
28:04 Est. Play
Time
315 Measures
2,133Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 39 28 15 8 98%
Bass 45 69 15 7 98%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 39 28 15 8 98%
Bass 45 69 15 7 98%
1 Treble 35 13 13 6 47%
Bass 42 37 13 6 52%
1+2 Treble 1 0 0 4 8%